Before we wrote stories, we painted them. Humans were interpreting the world visually long before there was written language. With cave walls as canvas, early humans told stories of community, ritual, and survival.

Tens of thousands of years later, that same impulse lives on. The art of visual storytelling has evolved from cave drawings to the moving images of film and television, where a single frame can communicate a thousand words.

In this article, we’ll explore the power of imagery to evoke emotion and how you can harness this tool to elevate your films at every stage of production, from the blank page to the edit bay.

The earliest examples of visual storytelling via Werner Herzog 

visual storytelling definition 

First, we’ll define visual storytelling 

Visual storytelling is the process of conveying a story, idea, or emotion through the language of image. An important tool for multiple industries, from marketing and education to design and filmmaking, the power of visual storytelling lies in its ability to communicate without words.

VISUAL STORYTELLING DEFINITION

What is visual storytelling in film?

In film and television, visual storytelling is the art of using elements like composition, movement, and rhythm to convey a story and evoke emotion. These elements work together to tell the story without dialogue. Filmmakers of the silent film era relied heavily on visual storytelling techniques before the invention of synchronized sound. 

Key Elements of Visual Storytelling:

The elements of visual storytelling will vary depending on the artist and their medium. For filmmakers, we’ll look at visual structure through the components listed in The Visual Story, by Bruce Block. According to Block, visual storytelling is not just the composition, but actually all of the components that make up the visual. Block breaks this down into seven basic ingredients: 

  1. Space: the physical space in front of the camera, this is what we see and how (ie: perspective and size.)
  2. Line: the path of a moving object which communicates intensity and emotion. 
  3. Shape: forms created by lines or tonal contrast.
  4. Tone: the brightness of objects in lighting, exposure, and art direction.
  5. Color: hue, brightness and saturation.
  6. Movement: occurs between people, objects, the camera, and the viewer's eye. 
  7. Rhythm: the rhythm we can see relies on stationary objects, moving objects, and editing.  

Visual Storytelling Techniques

“Don’t tell me the moon is shining”

Russian playwright Anton Chekhov is reputed to have said "Don't tell me the moon is shining; show me the glint of light on broken glass.” In other words, “show, don’t tell.”

Now that we have the visual storytelling ingredients (space, line, shape, tone, color, movement, and rhythm), let’s look at what can be made with them. Below are some of the recipes (techniques) filmmakers use to reveal the story visually rather than explain it verbally. 

Visual Storytelling Techniques:
  • Cinematography: the art and craft of making motion pictures by capturing a story visually. Perhaps the most widely understood as a visual technique, since this covers everything you see on screen, cinematography makes use of all seven elements. From the scale and distance that you see someone or something (lens choice) to the speed at which they approach you (camera movement), each cinematic choice relays something about the emotional life of your story. 

  • Visual Storytelling Example: In High and Low (1963) Akira Kurosawa and cinematographer Asakazu Nakai use blocking, composition, and camera movement to express moral and emotional tension. When the kidnapper makes a phone call from a sweltering hot shantytown at the bottom of the mountain, the air conditioned mansion they are calling looms large from up high, signifying a power difference. 

Kurosawa’s lesser-seen visual masterpiece  •  Subscribe on YouTube

  • Mise-en-scène: the arrangement of scenery and stage properties in a play. Translated from French, it means setting the stage, but in film this includes: sets, props, lighting, costume, blocking, and shot composition. 

  • Visual Storytelling Example: A rey of mise-en-scène, director Pedro Almodóvar uses production design, color, and costume as emotional vocabulary. In Volver (2006), the color red dominates wardrobe, lipstick, and even kitchen tiles. More than just a visual feast, the specificity behind the director’s choices root back to the emotions of his story. There’s a reason Almodóvar’s films are at the top of every production design list

Volver, starring Penelope Cruz

  • Editing: the art and craft of cutting and assembling finished film. Rhythm and pacing can be used to convey both a character’s internal life as well as the arc of the narrative itself.

  • Visual Storytelling Example: Director Barry Jenkins and editor Joi McMillon create tenderness and empathy through the pacing of the edit in Moonlight (2016). Jenkins wanted the audience to not only meet the main character Chiron, but for us to feel what he is feeling by putting us in his body. 

Empathy, identity, and masculinity in Moonlight

  • Symbolism the art of imbuing objects or things with meaning, making them represent something more than the sum of its parts. This technique can begin as early as story development. By making intentional decisions on iconography and symbols, the writer is leaving clues to the emotional journey we’re on. 

  • Visual Storytelling Example: Alfred Hitchcock’s spiral motif. From the opening title design to Madeleine’s hair bun to the staircase of the bell tower, the spiral is a metaphor for madness.

Symbolism in Hitchcock’s Vertigo  •  Subscribe on YouTube

The science behind visual storytelling  

The power of visual storytelling

When we say “show, don’t tell,” we’re not just talking about style, it’s neuroscience. 90% of information transmitted to the brain is visual. Studies show that people remember 80% of what they see, and only 20% of what they do, which explains why I can still describe the outfit Dawn Weiner (Welcome To The Dollhouse) wore to the party three decades later but not what I had for lunch yesterday.  

The brain can identify images seen for as little as 13 milliseconds, which is less than the blink of an eye. Not only does visual storytelling deepen your narrative, but with 65 percent of people identifying as visual learners, it also helps your audience retain information. 

Visual storytelling 

Harnessing the power…

While you may have thought visual storytelling was in the hands of the cinematographer (yes, AND) it’s actually a tool shared by many. The best way to harness the power of visual storytelling is to implement it in every phase of the film. From writers and directors to production designers and editors, this creates a more layered film experience. Choices made from script to screen that are both intentional and interconnected, gives the audience a more visceral experience. 

Up Next

Take visual storytelling to the next level

Now that you understand the history and a few techniques of visual storytelling, you might be ready to level up. According to, well, us, “artists who have mastered the art of juxtaposition understand how to communicate their ideas on a more sophisticated level.” So if you’re ready to get fancy (and by fancy we mean deeper into your craft), don’t miss this video.

Up Next: Juxtaposition in Film →
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