1st Assistant Camera — Job Description & Role Explained

What do AC’s do in film?

What is a 1st assistant camera?

Before we get too into the weeds, let’s give a working definition for a 1st AC. They’re the director of photography’s right hand man, and as such, are crucial to the functioning of the camera department on set.

So if you think having a shot in focus is important (and you should), then you understand the importance of a 1st AC. Let’s dive a little deeper into the different duties a 1st AC needs to take care of.

What does a 1st assistant camera do?

1st Assistance camera responsibilities

As crucial as maintaining camera focus may be, it’s only one part of a 1st AC’s responsibilities. As the closest compatriot of the cinematographer, the 1st AC’s other job is to make the DP’s life as easy as possible. This means taking care of these additional tasks:

1. Perform distance measurements within a scene for precise focus and framing.
2. Assemble and break down camera setups before, during, and after shoots.
3. Keep camera gear clean and in optimal working condition.
4. Organize and manage all camera-related equipment and accessories.
5. Supervise the second assistant camera.
6. Provide training and guidance to interns or new members of the camera crew.
7. Recommend suitable cameras and lenses for specific production needs.
   
   

Depending on how large or small of a production the AC is working on, they may also have these responsibilities as well:

1. Hire subordinates in the camera department.
2. Format camera media.
3. Delegate work to the rest of the department.
4. Maintain camera settings.
   
   

You may have noticed we mentioned a 2nd AC. How does their role differ from a first assistant camera?

1st AC vs 2nd AC in film

Difference between 1st AC and 2nd AC

Despite having similar titles, the 1st assistant camera and 2nd assistant camera are very different jobs.

The 2nd AC, or clapper loader, supports the 1st AC by managing the logistics of the camera department. Some of their key responsibilities include slating each shot with the clapperboard (hence their nickname), organizing camera reports, managing media cards or film stock, and marking actors’ positions. The 2nd AC will also often assist with loading and unloading equipment, maintaining inventory, and prepping gear for each setup.

The 1st AC typically operates with more technical precision and leadership, while the 2nd AC plays a supporting role that ensures the workflow runs efficiently. Together, they should cover most of the camera department’s technical logistics, allowing the cinematographer to focus on artistic decisions.

What makes a good 1st AC?

Key skills for a 1st assistant camera

Needless to say, the 1st assistant camera is very busy on set. Very busy. So arguably the most important trait for a 1st AC is endurance– the ability to stay sharp for hours despite being pulled in a thousand different directions. Here are some other important qualities:

1. Keen eyes and the ability to accurately assess distances.
2. Extensive technical camera knowledge
3. Physical strength and quick reflexes for fast-paced set environments.
4. High level of precision and attention to detail.
5. Capacity to work collaboratively and contribute effectively within a team.
6. Tact and professionalism when interacting with cast and crew members.
7. Understanding of health and safety regulations relevant to film production.
   
   

Think you have what it takes? Then it’s time to position yourself to land the job.

Becoming a first AC film

How to get a 1st assistant camera job

The first AC position is a highly esteemed one on set. This means it takes time to be entrusted with the job. Unlike careers with clearly defined educational paths, becoming a 1st AC is largely a practical journey that relies on gradually earning trust, skill, and responsibility within the camera department. There’s no single “correct” way to get there, but most 1st ACs follow a progression that begins with entry-level work and builds over time.

The typical pathway starts by entering the camera department at the ground level. This often means working as a production assistant or camera trainee, where you can gain exposure to camera operations and set protocols. 

From there, you’ll want to advance to the role of second assistant camera. Ideally, over time and with enough experience and a strong reputation for reliability and precision, you may get the opportunity to step up to the first AC role.

Film school isn’t required for a 1st AC gig, but it can be helpful. Some students also gain internships through their programs, which can lead to paid work and further connections. 

Rental houses, too, are great training grounds— they can allow aspiring ACs to become familiar with a wide range of equipment and build relationships with clients (i.e. potential future bosses).

IATSE (the International Alliance of Theatrical Stage Employees, the union to which ACs belong) may offer a pathway to set work through apprentice programs and certifications. Getting union membership can also open doors to larger productions.

Ultimately, becoming a 1st AC is about commitment. Some people remain in the position for their entire careers, earning a steady living and mastering their craft. Others see it as a stepping stone to roles like camera operator or director of photography. 

Either way, the key is to stay consistent— learn from every job, take care of the gear, build relationships, and develop the sharp eye and steady hands that the role requires.

1st AC jobs salary

How much does a 1st AC make?

Time for the important part— can an AC make enough money to dive into a pool of golden coins? The answer: it depends. 1st assistant camera salaries vary a lot, depending on union membership, the size of the production, and years of experience.

A seasoned, unionized 1st AC can make well into the six figures, but if you’re ACing on a small indie project, you may be earning a few thousand dollars per gig.

Remember: a film needs to be in focus. No one is arguing about a 1st AC’s value.

Up Next

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