Cross Cutting is a highly effective editing technique that can greatly improve the quality of any film or visual work. In this post, we’re going to give you the cross cutting definition and show you examples and parallel editing techniques in film.
Cross Cutting Definition
What is cross cutting in film?
Cross cutting in film is an editing technique that cuts separate actions together to illustrate moments that take place simultaneously within the narrative structure. The “rules” of cross cutting as far as their relation to scale and time are not overly strict, but the majority of cross cuts are used to show large scale events that occur across multiple locations.
The distance of these separate locations could be rather short, for example in the same building, or can be as far as completely different planets. The main idea is to show the viewer multiple views across different locations.
What is parallel editing?
A specific cross cutting technique is referred to as parallel editing because it can create a narrative parallel that the viewer may compare and contrast. For example, if one character is scrubbing toilets while the other is riding a jet ski across a scenic lake, the visuals will create an undeniably powerful narrative point of view through the use of a single cut.
What is cross cutting in film?
- Show actions across multiple locations
- Show actions that occur simultaneously
- Create a narrative parallel to compare and contrast
Cross Cutting vs Parallel Editing
What is the difference between cross cutting and parallel editing?
Cross cutting is most often used to build anticipation and to show a large scale operation at work. If you have a big scene where a group of thieves carry out a heist, you can build rhythm, momentum, and anticipation by cutting back and forth between one thief cracking the vault, another thief crawling in the air duct, and the getaway driver waiting in the car.
Each of these situations generate their own unique levels of stress and suspense, but when combined into a single sequence, that suspense can multiply and provide the filmmaker with a highly effective result.
Parallel editing can also generate suspense, but is more often used to illustrate similarities and differences for characters or situations that occur at the same time.
Like in our parallel editing example above, we see one character hard at work while the other enjoys a vacation. This illustrates the differences in circumstances, but parallel editing can also be used to take two seemingly different circumstances and cut them together to show how similar they actually are to one another.
For instance, you could show a scene of a butcher as they prepare a chicken for a fancy meal while, in a separate location, a serial killer has captured a victim and prepares to carry out their heinous act. This draws a parallel between the two actions, and allows the viewer to compare.
Cross Cutting Example
Cross cutting example from Inception
Take a look at the shot list example below of cross cutting in Christopher Nolan’s Inception. This cross cutting example will help show actions that occur simultaneously and combine to build more suspenseful scenes:
We begin in the first dream layer, with Yusuf behind the wheel of a van carrying the team, including Arthur. We see a motorcycle approaching from behind which begins a chase scene in dream layer one.
We get our first cross cut to the second dream layer as Arthur can feel something is wrong in the above dream layer. Because these cuts are sequential, we automatically know that the actions of the above layer are directly affecting the second dream layer.
Inception is a very specific case where the actions create direct changes in the other dream layers, but this could be the same as someone cutting the power to a building, and the effect across multiple locations.
Through the use of cross cutting, we experience the suspense caused by the assault on the van as well as the fight between Arthur and the security forces that takes place in the second dream level.
By intercutting film with cross cut edits, we multiply the suspense generated in scene one by the suspense generated in scene two along with illustrating a clear narrative causality between each action.
Parallel Editing Example
Parallel editing example from Rocky IV
To show you an example of parallel editing I’ve chosen an example that is also in the form of a montage. It’s important to note that parallel editing can be done without the use of montage, but that you will often find these two editing techniques combine seamlessly:
As you can see in this scene from Rocky IV, the parallel cutting illustrates the differences between each fighter's training methods, while also suggesting that they are able to achieve similar results.
Parallel editing works in a way that both compares and contrasts each image, so make sure to craft separate images that are able to be connected through similar actions that can provide meaning through the comparison.
The Rule of Six: How to Edit Effectively with Walter Murch's Eye Trace
Now that you have a better understanding of cross cutting and parallel editing techniques and usages, why not continue with some mo0re great editing techniques. One article that will help you make great cuts is The Rule of Six: How to Edit Effectively with Walter Murch's Eye Trace.