H

ow do signal to your viewer that two characters are, at the very least, on the same page? Why not try an over-the-shoulder shot?

The OTS shot is one of the most commonly used shots in film and television, but often it’s used without proper application of advanced cinematic language. We’ll break down the psychology so your OTS shots drive home an emotional concept.

Watch: How to Direct Over The Shoulder Shots

Over-The-Shoulder Shot DEFINITION

What is the Over the shoulder (OTS) shot?

An over-the-shoulder shot (OTS) refers to when the camera is placed just behind an "off-screen" actor so that their shoulder is in the frame while you capture the "on-screen" actor's coverage.

You can do this to orient your viewer, but an over-the-shoulder shot will also suggest a connection or understanding between the characters in your scene.

Why use an over-the-shoulder shot?

  • Helps further orient your viewer.
  • Signal an understanding between characters. 

OVER THE SHOULDER SHOT

Why use over-the-shoulder shots?

There is a very practical reason to use an OTS shot, and that is so your audience has a subconscious sense of orientation while watching your scene. 

Because we can see the off-screen actor still in the frame, we know exactly where they are in relation to the other subject matter in the frame.

That's the practical reason, but what about the emotional reasons?

OTS-westworld-2

This shot is OTS and obscured by the column

Well, think of what we just went over.

Your over-the-shoulder shot works to orient a viewer because we are visually reminded of the off-screen actor during the reverse coverage.

That same principle works on an emotional level.

Your feelings about the on-screen actor's state of mind is informed by the presence of the off-screen actor's shoulder in the frame.

We are NOT isolated by solo coverage on an singular character.

Because we can (technically) see both actors in the frame, the visuals of the shot therefore suggest an equal emotional playing field. 

OTS-westworld-1

Ford and Cullen may not like each other, but they're on the same page

If you frame a character by themselves, you isolate them...

If you frame characters together, you connect them.

The idea is not to say these characters agree, or even like each other, but rather that they are part of a collective emotional context for the scene.

The characters in the scene are, at the very least, "on the same page". 

And if you have a big shift in your scene, you can show that by moving OUT of your over-the-shoulder shot into an isolated single shot. 

OTS-westworld-3

Cullen realizes she is very alone in Westworld

This shot shows us just how alone Cullen is in Westworld.

Clever filmmakers can show you gradual changes in their scenes, and they do this by complementing the story beats and themes with visuals. 

Full shot list for this scene in Westworld

Check out this scenes full shot below, and see how the filmmakers planned out their shots in detail to get the maximum emotional payoff. 

OTS Shot examples

Over the shoulder shot examples

Maybe the most famous over the shoulder shot comes from The Godfather’s opening scene. Watch how Francis Ford Coppola directs this scene and uses the OTS shot as the way to introduce Marlon Brando’s Vito Corleone.   

One of the most iconic film shots of all time. 

Bonasera is telling the story of his daughter’s brutal attack, and we are moving backward to the over the shoulder to show power.

This is a man who commands full attention and we can’t even see his face.

It’s ominous and dictates how much power The Godfather has.

He’s the unseen backbone of America.

What about mixing the over the shoulder shot up?

You can add a low angle on the shot like this one in Titanic to show your character bending to the will of a new love interest.     

This over the shoulder camera shot sets up the theme of the movie.

It even works to intimidate usually strong characters like Rey, when she meets the mythic Luke Skywalker for the first time.

But what about some twists on the OTS shot?

Leave it to Tarantino to take a shot we were used to for conversations and turn it into something horrific in Reservoir Dogs.

Tarantino skews the over the shoulder shot definition.

What can normally be used as a conversation here becomes a dance. Our intimacy in this situation is unwanted. We’re terrified at the prospect of what’s going to happen.

This also works in the traditional sense. Take this conversation from Silver Linings Playbook. David O. Russell slips into the traditional OTS shots here but there’s an added level of intimacy. Listen to the conversation and then see how he uses the OTS shots to progress into the scene.

Silver Lining Playbook OTS Shots

If you watch the example above, you'll notice some of the OTS shots put us into the perspective of those watching, and in turn show how the collective group feels about this embarrassing outburst. 

As soon as we move outside the over the shoulder shots are now about the intimacy of these two people. They’re hugging and punching one another.

By the end of the scene, we’re showing each of them looking over the shoulder at the other as they deal with the real world.

Bradley’s interaction with the people outside the theater as he has a breakdown and Jennifer dealing with the cops who are trying to figure out what’s going on.


CAMERA SHOT SIZES

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Up Next: 

Medium Shots: Examples of Shots

The over-the-shoulder shot can be used with multiple different shot sizes, one of which is the medium close-up. Check out our post that explains how you can use them in our post on Medium Shots: Examples of Camera Shots.

Medium Shots: Examples of Camera Shots →
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