It’s easy to mix up the different types of camera shots out there. But if you’re a creative, it’s important to have a firm understanding of the several types of shots.

 Today, we’ll break down all the camera shots you need to know, and some of their best uses in film. Brush up on the fundamentals of camera shots to enhance your visual vocabulary, and prepare to be inspired along the way.


Shot Size


Shot Size Overview

Shot Size Overview 

How you choose to frame your subject will have a specific impact. How close or far your subject is to your camera — your shot size — will underscore how the audience should feel about it (or them).

Your subject will appear smallest in a long shot (or wide shot). They will be larger in a medium shot and largest in a close-up shot.

Think about familiarity when you consider your subject’s size in your camera shots. It’s like meeting someone for the first time. You might shake hands or talk about the weather, but odds are you’ll stay at a relative distance. That’s because you haven’t built any familiarity yet. Camera shots work in the same way.

Ultimate Guide To Camera Shots - Camera Shot Guide Two

More types of camera shots that correspond to a subject

Specific camera movements matter too. Are you going to rack focus while completing a dolly move? Or maybe it’s just a traditional two shot on sticks?  

You want to capture all these details when shot listing. We cover a lot of shot specs in this post, but don't worry. You don't need to memorize everything in this post.

If you use StudioBinder when shot listing, all these specs are listed as checkboxes for easy selection.

This allows you to refocus on the creative versus racking your brain trying to recall shot jargon or retyping the same acronyms 5000 times. Here's a peak:

Okay, onto shot sizes!

It all starts with an establishing shot...

An establishing shot is a shot at the head of a scene that clearly shows us the location of the action. This shot often follows an aerial shot and is used to show where everything will happen.

Consider the following examples.

A compilation of establishing shots.

Extreme Long Shot (ELS)

An extreme long shot (or extreme wide shot) make your subject appear small against their location.

You can use an extreme long shot to make your subject feel distant or unfamiliar. It can also make your subject feel overwhelmed by its location.

The opening scene of Stanley Kubrick’s The Shining is a great example of an extreme long shot.

This extreme long shot in The Shining predicts the isolation to follow.

It’s appropriate that the subject of these camera shots is a yellow VW Bug because it’s tiny. The shot favors the open plains, mountains, cliffs and jagged trees that surround the Bug. This underscores the treacherous, isolating world the car is heading towards.

An extreme long shot can have the same effect as a high angle shot.

Ultimate Guide To Camera Shots - High Angle Shot In Harry Potter
Ultimate Guide To Camera Shots - High Angle Shot In The Avengers

High angle shot, The Avengers

Ultimate Guide To Camera Shots - High Angle Shot In Moonrise Kingdom

High angle shot, Moonrise Kingdom

Where a high angle shot looks down on a subject to make them feel inferior, an extreme long uses their surroundings to do the same.

Ultimate Guide To Camera Shots - Extreme Long Shot High Angle In The Revenant

Extreme long shot + high angle, The Revenant

Of all the camera shots, consider the extreme long shot when you need to emphasize the location.

Long Shot (LS) / Wide Shot (WS)

The long shot (also known as a wide shot abbreviated “WS”) is the same idea, but a bit closer. If your subject is a person then his or her whole body will be in view -- but not filling the shot.

In other words, there should be a good deal of space above and below your subject. Use a long shot to keep your subject in plain view amidst grander surroundings.

Ultimate Guide To Camera Shots - Long Shot Road To Perdition

Consider this scene from Interstellar.

Choose camera shots that frame your subject with necessary scene elements.

The crew of the Endurance space vessel land on a mysterious planet. Then a large tidal wave appears out of nowhere.

Director Christopher Nolan and DP Hoyte van Hoytema used a long shot here.

Ultimate Guide To Camera Shots - The Long Shot Emphadata-lazy-sizes The Mounting Danger Of The Approaching Wave

The long shot emphasizes the mounting danger of the approaching wave. At the same time, it keeps the subject from being too overwhelmed by it.

Ultimate Guide To Camera Shots - Long Shot Wide Shot With Good Negative Space

Of the many camera shots, a long shot builds up distance and the location.

Full Shot (FS)

Now let's talk about camera shots that let your subject fill the frame -- while keeping emphasis on scenery.

In a full shot, the camera is usually close enough to capture your subject’s basic appearance.

Ultimate Guide To Camera Shots - Full Shot In Thor

Full shot, Thor

Consider this scene from Paul Thomas Anderson’s The Master.

The camera shots chosen for this scene emphasize two characters, The Master

The first shot in this scene is a full shot of two subjects in their prison cells.

Ultimate Guide To Camera Shots - A Full Shot Fills The Frame With your Subject While Keeping Their Environment Visible

A full shot generally fills the frame with your subject, while keeping their environment visible

By using a full shot, Anderson emphasizes that the subjects share the same trappings. It also underscores their opposite reactions -- a theme explored throughout the film.

Ultimate Guide To Camera Shots - Full Shot Pirates Of The Caribbean Dead Men Tell No Tales
Ultimate Guide To Camera Shots - Full Shot Thor Ragnarok

Full shot, Thor: Ragnarok

Ultimate Guide To Camera Shots - Full Shot Guardians Of The Galaxy
Ultimate Guide To Camera Shots - Full Shot For Suicide Squad

Full shot, Suicide Squad

Medium Long Shot (MLS) / Medium Wide Shot (MWS)

A medium long shot frames your subject from roughly the knees up. It splits the difference between a full shot and a medium shot.

Ultimate Guide To Camera Shots - A Medium Long Shot of Jeff Bridges Giving A Speech In Heavens Gate

A medium long shot of Jeff Bridges giving a speech in Michael Cimino’s Heaven’s Gate

Ultimate Guide To Camera Shots - Medium Long Shot In Cowboys And Aliens

Another medium long shot example, Cowboys and Aliens

If framed in a low angle shot (i.e. looking up from the ground) you can make one formidable villain.

Ultimate Guide To Camera Shots - Medium Long Shot Low Angle In The Dark Knight

Medium Long Shot + Low Angle, The Dark Knight

Cowboy Shot

A variation on this is the Cowboy Shot, which frames the subject from roughly mid-thighs up. It’s called a “cowboy shot” because it is used in Westerns to frame a gunslinger’s gun or holster on his hip.

Ultimate Guide To Camera Shots - The Cowboy Shot Variation Of The Medium Long Shot Frames From The Upper Thighs Up

The Cowboy shot variation of the medium long shot frames from the upper thighs up

Ultimate Guide To Camera Shots - Medium Long Shot

The cowboy shot is alive and well in The Matrix

Ultimate Guide To Camera Shots - Cowboy Medium Shot in Kings Speech

A cowboy three shot in The King’s Speech

Medium Shot (MS)

Next let's move onto camera shots that reveal your subject in more detail.

The medium shot is like the cowboy shot above, but frames from roughly the waist up. So it emphasizes more of your subject and keeps their surroundings visible.

Ultimate Guide To Camera Shots - Medium Shot 2 Shot in Social Network

Medium shot + 2 Shot, Social Network

Ultimate Guide To Camera Shots - Medium Shot In Dark Knight Rises

Medium shot, Dark Knight Rises

Ultimate Guide To Camera Shots - Medium Shot 2 Shot Sherlock

Medium shot + 2 Shot, Sherlock

Ultimate Guide To Camera Shots - The Medium Over The Shoulder Shot Creates Distance And Opposition - Edward Norton

This medium over-the-shoulder shot creates distance and opposition, Fight Club

This scene from Fight Club favors the medium shot to keep the characters distant from each other. It’s wide enough to show the boisterous crowd who fuel the fight. It’s also over-the-shoulder (OTS) to convey opposition.

It’s a great choice for a fight scene.

The first rule of medium shots is to frame from roughly the waist up.

Medium Close Up (MCU)

The medium close-up frames your subject from roughly the chest up. So it typically favors the face, but still keeps the subject somewhat distant.

The medium shots in this scene make Javier Bardem’s performance even scarier.

This scene from No Country For Old Men is mostly medium close-ups. It keeps the characters eerily distant during their face-to-face conversation.

Ultimate Guide To Camera Shots - Medium Close Up In The Big Lebowski

The Dude abides (in medium close up), The Big Lebowski

Ultimate Guide To Camera Shots - Medium Close Up From The Big Lewbowski

Another MCU from The Big Lebowski

Close Up (CU)

Next, let's talk about camera shots that get up close and personal with your subject.

You know it’s time for a close-up when you want to reveal a subject’s emotions and reactions. The close-up is where you fill your frame with a part of your subject. If your subject is a person, it is often their face.

Ultimate Guide To Camera Shots - A Close Up With Shallow Focus In The Girl With The Dragon Tattoo

A close-up with shallow focus, The Girl with the Dragon Tattoo

This emotional scene from “Blade Runner” features a lot of close-ups:

Roy Batty (Rutger Hauer) has an emotional monologue in Blade Runner

Roy Batty (Rutger Hauer) is a “replicant” about to expire. He tells his enemy Deckard (Harrison Ford) why he wants to live longer. His facial gestures are key here, as is a crucial teardrop as he talks.

Close-ups are great camera shots for capturing monologues like this. They let the audience get close to your character to see their facial gestures in detail.

This uncut 2-min closeup showcases the subtlety of Kidman’s performance, Birth

Ultimate Guide To Camera Shots - This Closeup Example Put Jack's Unbound Insanity Of Full Display The Shining

This closeup example put Jack’s unbound insanity on full display, The Shining

Extreme Close Up (ECU)

An extreme close-up is the most you can fill a frame with your subject. It often shows eyes, mouth and gun triggers. In extreme close-up shots, smaller objects get great detail and are the focal point.

Use this to emphasize a specific feature of your subject.

Ultimate Guide To Camera Shots - Extreme close Up In X Men First Class

Extreme Close Up (ECU), X-Men: First Class

Visionary filmmaker Darren Aronofsky uses extreme close-ups consistently in his work. His 2010 film Black Swan is about a ballerina named Nina who is cast as the dual lead in “Swan Lake.” She’s got the innocent White Swan character down but needs to transform into the Black Swan too.

In this extreme close-up, we see that her transformation happens quite literally. Aronofsky uses an extreme close up shot here to show feathers growing out a sore in Nina’s back.

Ultimate Guide To Camera Shots - An Extreme Close Up In Black Swan

An extreme circumstance calls for an extreme close shot in Black Swan

Ultimate Guide To Camera Shots - An Extreme Close up On Eyes In Little Miss Sunshine

Another Extreme Close Up (ECU) on eyes, Little Miss Sunshine

Ultimate Guide To Camera Shots - Extreme Close Up On Eyes In The Good The Bad And The Ugly

Extreme Close Up (ECU) on eyes, The Good, the Bad, and the Ugly

Ultimate Guide To Camera Shots - Extreme Close Up On Lips From Citizen Kane

ECU on lips... Rosebud… Citizen Kane

Combining shot size with other specs

Shot size is the building block for choosing camera shots.

But you’ll also need to consider how framing, focus and movement can add deeper meaning to your shots.

Read on to explore creative shot combinations.


Camera Framing


Camera Framing Overview

Camera framing is the art and science of placing subjects in your shots. Shots are all about composition. Rather than pointing the camera at the subject, you need to compose an image.

For filmmakers and videographers, a major consideration for framing is the number of subjects you feature in your shots, and their physical relationship to each other and the camera.

Based on how you plan to position your subjects, you'll need to adjust your camerawork. You'll want to capture your framing details on a shot list well before you arrive on set. That way you have a clear idea for the scene and can communicate your vision with ease.

That's not to say that things may not change the day of the shoot. But, having a shot list at the ready showcases that the director and DP have done their homework and are well prepared.

Single shot

When your shot captures one subject it’s known as a single shot.

Ultimate Guide To Camera Shots - Single Shot

Iron Man stands alone, Iron Man

Ultimate Guide To Camera Shots - There Can Only Be One Character In A Single Shot For Highlander

There can be only one character in a single shot, Highlander.

Two shot

A two-shot is the same concept, but with two people in the frame at once.

Ultimate Guide To Camera Shots - Pulp Fiction - Jules and Vincent Framed In A Shoulder Level Two Shot

Jules and Vincent framed in a shoulder-level two-shot, Pulp Fiction

Ultimate Guide To Camera Shots - A Two Shot For Two Agent Smiths

A two shot for two Agent Smiths, The Matrix Reloaded

Three shot

You guessed it: a three-shot fits three characters into the frame.

Ultimate Guide To Camera Shots - A Three Shot Of Characters In A Frame
Ultimate Guide To Camera Shots - A Three Shot Of Luke Leia And Han In Star Wars

A three shot of Luke, Leia and Han in Star Wars

Over-The-Shoulder (OTS) Shot

Another element of camera shots to consider is the perspective of the shot. An over-the-shoulder shot shows your subject from behind the shoulder of another character. Because it emulates perspective, it’s common in conversation scenes.

Ultimate Guide To Camera Shots - Al Pacino Framed Over The Shoulder In Heat

Al Pacino framed over the shoulder from Robert De Niro in Heat

Ultimate Guide To Camera Shots - An Over The Shoulder Shot Of Rose In Titanic

An over-the-shoulder shot of Rose in Titanic

Point of View (POV) Shot

Now let's talk about choosing camera shots that show the point-of-view (or POV) of one of your characters.

A POV reveals to the audience exactly what that character sees and does. This transports the audience into that character, as is done in Being John Malkovich.

Being John Malkovich uses lots of point of view camera shots to enter John Malkovich’s mind.

This technique can also invoke terror, as seen in the classic opener of Halloween.

A POV through the mask of Michael Myers, Halloween

A POV shot is generally sandwiched between two other shots: a shot of a character looking at something, and then a shot showing the character's reaction to whatever he or she is looking at.

And smack in the middle of these? In between the shots of the character looking and the character reacting? That's where we get the POV shot.

We see exactly what the character sees.

We understand what's generating the character's reaction.


Camera Focus



Camera Focus


Camera Focus Overview

Cinema and television give the director an uncanny ability to control the audience's vision. You can shift and change points of view as people learn new information, move locations, or switch perspectives. 

This kind of power is achieved through the ability to adjust focus. 

Plan focus changes on your shot list

Filmmakers often want to direct attention around different parts of the scene. To do this, you need to decide on the angle of shot, camera movements, and any special equipment needed to pull it off. 

That can be a lot to remember, but we've made shotlisting easy. You're only a few clicks away from setting up your shot, and planning your focus. 

How to Create a Shot List with StudioBinder - Shot List Creator Template - 7

Once your shot list is complete. You can send it off with the click of a button. That way you can spend more time going over the next scene. 

How will you grab the audience's attention moving forward? 

Rack Focus / Focus Pull

Manipulating focus is another way of communicating with your camera shots. A rack focus shot is when the camera changes focal length mid-shot to create emphasis. The first assistant cameraman (or “First AC”) usually does it.

The art of the rack focus

Shallow Focus

In shallow focus shots, your subject is in crisp focus while the other scenery out of focus. This limits your depth of field to create emphasis on your subject.

Ultimate Guide To Camera Shots - Two Shot Shallow Shot Pulls You Into The Conversation In The Social Network

Two-shot + shallow focus pulls you into the conversation, The Social Network

Ultimate Guide To Camera Shots - A Shallow Focus Depth of Field Shot From Marie Antoinette

A shallow focus shot from Marie Antoinette

Deep Focus

In a deep focus shot, everything in your frame is in focus. This is great when you need your audience to feel the scenery or particular scene elements.

Ultimate Guide To Camera Shots - A Deep Focus Shot Shows Most Of The Gang In 12 Angry Men

A deep focus shot shows most of the gang in 12 Angry Men

Ultimate Guide To Camera Shots - Deep Focus Staging Shows Two Forces Collide In Detroit

Deep focus staging shows two forces collide in Detroit

Tilt Shift

A tilt-shift lens rotates perspective within the lens and emulates selective focus. It can make parts of your image appear in sharp focus while others are out of focus.

Ultimate Guide To Camera Shots - Tilt Shift Lens Captures A Trippy Bar Mitzvah From A Serious Man

A tilt-shift lens captures a trippy bar mitzvah in A Serious Man

Ultimate Guide To Camera Shots - A Tilt Shift Lens Creates Dreamy Distortion

A tilt-shift lens creates dreamy distortion in The Assassination of Jesse James


Camera Angles


Camera Angle Overview

It's not enough to just understand shots. The angle, and degree or severity of that angle, can totally change the meaning of a shot. In this section we'll cover every type of camera angle you can imagine with plenty of examples.

Once you know the angle you're going to shoot, capture it on your shot list, like this:

How to Create a Shot List with StudioBinder - Shot List Creator Template - 7

Make sure to specify camera angles when shot listing

Directors and DPs often work closely during pre-production to create their shot lists. However, that doesn't mean the plans may not change once everyone arrives on set. But showing up prepared is half the battle.

As the saying goes...

If you fail to plan, then you're planning to fail.

Now let's explore the various camera angles that can add tremendous impact to your shots.

Eye Level Shot

First, consider the most common height: the eye level shot. When your subject is at eye-level they’re in a neutral perspective (not superior or inferior). This mimics how we see people in real life -- our eye line connecting with theirs.

Ultimate Guide To Camera Shots - An Eye Level Close Up Of Young Forrest Gump

An eye-level close up of Young Forrest in Forrest Gump

Ultimate Guide To Camera Shots - An Eye Level Close Up On The Mad Hatter

An eye-level close-up on The Mad Hatter, Alice in Wonderland

Ultimate Guide To Camera Shots - An Eye Level Medium Close Up

An eye-level medium close-up in Inception

Low Angle Shot

This shot frames your subject from a low camera height. These dramatic camera shots most often emphasize power dynamics between characters.

A superior character with the upper hand is often framed from down low. This makes an inferior feel like they are looking up to them.

Ultimate Guide To Camera Shots - A Low Angle Shot From Raising Arizona

A low angle shot from Raising Arizona

Ultimate Guide To Camera Shots - Low Angle Threat Makes Any Monster Scarier

A low angle threat makes any monster scarier, The Invisible Man

The Ultimate Guide To Camera Shots - A Threatening Low Angle Of Darth Vader In Star Wars The Empire Strikes Back

A threatening low angle of Darth Vader in The Empire Strikes Back

High Angle Shot

In a high angle shot, the camera points down at your subject. It usually creates a feeling of inferiority, or “looking down” on your subject.

But, as the video below shows, there are creative expressions of this...

Ultimate Guide To Camera Shots - A High Angle Looks Down On Christiane In Eyes Without A Face

A high angle looks down on Christiane in Eyes Without a Face

Ultimate Guide To Camera Shots - A High Angle In Citizen Kane

A high angle in Citizen Kane

Hip Level Shot

This is when your camera is roughly waist-high.

Ultimate Guide To Camera Shots - Michael Madsen Framed In A Hip Level Over The Shoulder Shot For Reservoir Dogs

Michael Madsen framed in a hip level over-the-shoulder shot, Reservoir Dogs


A hip level, medium long shot from Punk-Drunk Love

Knee Level Shot

This is when your camera height is about as low as your subject’s knees. They can emphasize a character’s superiority if paired with a low angle.

The Ultimate Guide To Camera Shots - Marley Approaches Kevin In Home Alone Knee Level Shot

Marley approaches Kevin in Home Alone

Ultimate Guide To Camera Shots - A Knee Level Shot From Star Wars Episode III Revenge Of The Sith

A knee level shot from Revenge of the Sith

Ground Level Shot

This is when your camera’s height is on ground level with your subject. Needless to say, this shot captures what’s going on the ground your subject stands on.

Ultimate Guide To Camera Shots - A Ground Level Close Up From Star Wars The Last Jedi

A ground-level close up from Star Wars Episode VIII: The Last Jedi

Ultimate Guide To Camera Shots - A Ground Level Close Up In Black Swan

This ground-level close-up captures a ballerina’s feet in Black Swan

Ultimate Guide To Camera Shots - A Chilling Ground Level Zoom Shot From Full Metal Jacket

A chilling ground-level zoom shot from Full Metal Jacket

Shoulder Level Shot

This is when your camera is roughly as high as your subject’s shoulders. A shoulder level shot can maximize the feeling of superiority when paired with a low angle.

Ultimate Guide To Camera Shots - A Low Angle Shoulder Level Shot From No Country For Old Men

A low-angle shoulder-level shot from No Country For Old Men

Ultimate Guide To Camera Shots - A Low Angle Shoulder Level Shot From The Shining

A low-angle shoulder-level shot from The Shining

Dutch Angle

In the dutch (or “canted”) angle, the camera is slanted to one side. With the horizon lines tilted in this way, you can create a sense of disorientation.

The many dutch angles in Danny Boyle’s Slumdog Millionaire

Bird’s Eye View Shot / Overhead

This shot is from way up high, looking down on your subject and a good amount of the scenery surrounding him or her. This can create a great sense of scale and movement.

A handy compilation of bird’s eye camera shots.

Aerial Shot – Helicopter Shot

Whether taken from a helicopter or drone, this is a shot from way up high. It establishes a large expanse of scenery. The opening shots of Blade Runner use them to establish futuristic cityscapes.

Ultimate Guide To Camera Shots - An Aerial Shot Captures Los Angeles In Blade Runner

An aerial shot captures future Los Angeles in Blade Runner

Affordable drones have made aerial photography more accessible to filmmakers. Once considered a big-budget luxury or stock-footage mainstay, original aerial photography is now within reach of almost any production.

All thanks to the "rise" of drones. 


Camera Movement


Camera Movement Overview

The way a camera moves can give meaning to what's happening on screen. You can burst into a room, drone over from on high, pan with a head turn, and dolly-zoom for any revelation. 

Camera moves set directors out from the pack and wind up defining their visual style. But how can you plan all these camera movements so your story stays consistent from scene to scene?  

Shotlist and Storyboard camera moves

So, you’ve set up a scene where you want to move the camera between two crucial subjects? What do you do now? You need to put together a shot list so your DP can anticipate and prep. Therefore, you may want to get coverage of each shot, in case the movement doesn’t work out in the edit.

Specify camera movement when shot listing in StudioBinder

Where you put the camera also matters. You want to capture all these crucial details in your shot list. With StudioBinder, these details are already listed as options, so you only need to check their boxes. This allows you to create creative combinations that make your movie come to life.

As an example, travel filmmaker Matt Komo used StudioBinder's shot list feature to plan out the critical shots and camera setups he needed for the day. 

Let's check out all the possible camera movements!

Static / Fixed Shot

When there’s no movement (i.e. locked camera aim) it’s called a static shot. These camera shots emphasize the appearance and movement of your subject against its environment.

Static shots work well in comedy because the actor’s performance trumps the camera moves.

This scene from Step Brothers is composed almost entirely of static shots.

Zoom Shot

These camera shots are when the camera zooms in or out mid-shot. When it zooms in, it can make sudden -- and sometimes comical -- emphasis on a character or object. When it zooms out it usually reveals objects or characters.

The many zooms of Quentin Tarantino.

Stanley Kubrick often used zooms for subtle, slow reveals.

Pan Shot

Pans move the camera side to side on a horizontal axis. This can reveal something to your viewer or allow them to follow an action.

In the first shot, a simple pan follows a character in La Luna

Tilt Shot

Tilting is when you move your camera up and down on a vertical axis. So it’s exactly like a pan, only vertical.

A compilation of establishing shots.

Swish Pan or Whip Pan

This is when you pan the camera from one shot to another, creating a motion blur.

Paul Thomas Anderson uses swish pans throughout his films.

Behind the scenes on a whip pan setup in La La Land

Swish Tilt

The swish tilt is the same idea as a swish pan, only vertical.

Wes Anderson uses the swish pans and tilts extensively in The Grand Budapest Hotel

Tracking Shot

A tracking shot moves with your subject. Sometimes it follows behind or beside them on a dolly, Steadicam or a gimbal.

Goodfellas has a particularly epic tracking shot filmed in one continuous take.

This reverse tracking shot from Paths of Glory follows a general through his trenches.

Crab Shot

The crab shot is basically a dolly shot that moves horizontally like a crab.

A crab shot follows Oh Dae-Su as he fights his way through a crowd, Oldboy

Arc Shot

These camera shots find the camera circling a subject to reveal it from different angles.

An arc shot captures all angles of this conversation in The Dark Knight


Camera Mechanisms


Camera Mechanisms Overview

Camera mechanisms is a fancy way of saying camera equipment.

Want your camera to glide along a slider? Pushed on a dolly? 

Swooping with a jib arm? Hovering with a gimbal?

Depending on the gear you use, the feeling of a shot can dramatically change. This is why you'll need to give the mechanism some thought when shot listing.

Just remember...

Camera mechanisms don't just affect the look and feel of a shot...

They also affect your budget, and prep time on set.

Technocranes don't come cheap. And setup time could put your set in a holding pattern if you don't schedule carefully.

So choose your camera mechanisms carefully when you shot list.

You can specify camera equipment when shot listing in StudioBinder

Sticks / Tripod Shot

Now let’s consider the different mechanisms that will dictate the movement in your camera shots.

The most common mechanism is the tripod, or “sticks”, used for static shots and simple pans and tilts.

Slider Shot

A slider is a piece of equipment that “slides” your camera on a vertical or horizontal axis. It’s sort of like a dolly mounted on a tripod that creates smooth, sweeping camera moves.

You can also use a slider with a tripod head to mimic a jib shot.

Handheld Shot

Handheld shots are held and moved by a camera operator. They aren’t stabilized and are often shaky. They can add a gritty, docu-realistic feel to a shot.

Hand-held shots in Narc create a gritty and hyper-real foot chase.

Steadicam Shot

A Steadicam is a camera stabilizing device that attaches to the camera operator. It uses a counterbalancing system for smooth and stable camera moves.

Steadicam shots capture intimate family moments in To The Wonder

Gimbal Shot

Gimbals are another camera stabilizing device that use motorized gyroscopes to reduce friction. It is more compact than a Steadicam and completely handheld. This allows it to fit through tight spaces.

Crane Shot

A shot from a robotic crane often sweeps up and over a scene. It is a great first or final shot for a film.

The Player, about a Hollywood executive, begins with a classic crane shot.

Jib Shot

A jib is a crane device that sweeps the camera up and over a setting. A jib is similar a crane, but with more limited range and movement. It's compact and utilizes counter-weights which makes it ideal for smaller-budget shoots.

A jib is a cost-effective way to get an expensive-looking crane shot

Drone Shot

These camera shots attach to a drone to fly over or alongside your subject. They're often used for aerial shots.

Drones are way cheaper than helicopters and can operate in spaces helicopters can’t.

The aerial footage in the opening chase scene of Skyfall was captured by drones.

Wire Shot

In this shot, the camera moves on a cable or wire to for deliberate, smooth moves. Like drones, wires get much closer to the action than helicopters. So they’re are often used in live concerts and sporting events.

Behind the scenes of a wire shot at Bumbershoot 2016

Up next

How to create a professional shot list

Having knowledge of the types of shots in film, and why they’re used, is the building block to good storytelling. Each shot is a brushstroke for painting a vision. Be informed and intentional when you select your shots.

And remember to always look to the great filmmakers.

Good artists copy; great artists steal.

Up next, we'll walk you through the process of shot listing like a pro. Everything from selecting the right camera specs, to properly estimating prep and setup times. We'll also provide a free shot list template to get you started. 

As always, let us know in the comments below if you liked the article, or if there’s anything we missed!

Up Next: How to Create a Shot List like a Pro →
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