In a world where digital photography has become the norm, there is still a place for those who want to use physical film stock. While digital technology has made it easier to be a photographer, physical celluloid still has a charm and texture that no digital camera can ever fully replicate. And above all else, since photography can be so nuanced, the differences between digital and physical can mean a lot. So when it comes to photography, what is film stock and what types are there?Continue reading What is Film Stock — Various Types of Film Stock Explained
Finding the best camera lenses for your camera can vastly improve your images and overall production, but understanding camera lenses can be very time-consuming. In this article, we explain how to understand lenses for photo and video so that you can not only understand how your lens and camera work together but also which lens, or set of lenses, is the best option for you moving forward. Let's dive in.Continue reading Understanding Camera Lenses & How to Choose the Right Lens
Look at your mobile device, your high-definition television, or laptop computer; what do you see? Most likely it’s a rectangular widescreen, with a lot of the video you watch on it filling the entirety of the screen. We are of course talking about the 16:9 ratio, which has been the current standard in television and monitors since at least the mid-2000s. But what is 16:9 aspect ratio, where did it come from, and how did it become the new default?Continue reading What is 16:9 Aspect Ratio — Origins of the Widescreen Format
Years and years ago, when not every movie was a sequel, remake, or reboot, people usually left the movie theatre by the time the end credits rolled. These days, if your movie is a big deal, some people might stick around to see if there’s anything after the credits. These “after credits” scenes are popularly known as post credit scenes, or film stingers. But what is a post credit scene and how did they get so popular?Continue reading What is a Post Credit Scene — The Movie Stinger Beyond Marvel
What is motion blur? Why does it happen? Is motion blur good? And, how can we control it? We will be answering all of these questions and taking a look at both the technical and creative side of this process in both filmmaking and photography. Before we get into creative applications like aesthetic blur, and before we look at how to get motion blur or how to create motion blur, let’s get started with a definition.Continue reading What is Motion Blur, Is Motion Blur Good & Why Does it Happen?
There are few terms in cinematography and photography more misunderstood than depth of focus. The term is often used interchangeably with depth of field, but the two ideas actually have two completely separate meanings. Depth of focus is critical to understand if you want to have a crisp image and a firm grasp on your camera operating skills. So what is depth of focus? And how is it different from depth of field? Continue reading What is Depth of Focus vs. Depth of Field? — Camera Essentials
You don’t need to be a pro to use forced perspective. In fact, you’ve probably seen your friends post photos using the technique. Some of the most iconic films have worked with it, and even semi-professional photographers often grace the internet with the unique visual elements it often gives. So how can you use it and create new and innovative images or footage? Well why don’t we first answer what is forced perspective, and then jump right in. Continue reading What is Forced Perspective? Examples of How to Trick the Eye
The term “Plot device” has grown to be taboo in the world of writing. Most screenwriters associate the term with an inherently negative connotation, but that doesn’t have to be the case. Plot devices have existed since the inception of stories, and for good reason.So what is a plot device? In this article, we’re going to define what a plot device is, then look at some examples from film that show how they can be used in both poor and effective ways. Continue reading What is a Plot Device? Definitions and Examples
With over 40 years of experience working as a feature cinematographer, Robert Richardson has lensed movies for director’s like Oliver Stone, Martin Scorsese and Quentin Tarantino. He’s worked on everything from 65mm film to stereoscopic 3D and has won the Academy Award for cinematography three times (for his work on JFK, The Aviator and Hugo)! It’s definitely worthwhile paying attention to his work, here’s four lessons that you can learn from the Robert Richardson style of cinematography.Continue reading Robert Richardson Style — Tarantino, Scorsese’s DP Techniques
Before the 1950s, nearly every single movie was in the same 4:3 aspect ratio. But then CinemaScope from 20th Century Fox changed the landscape with widescreen imagery to get people into theaters nationwide. Pretty soon, other studios were making their own widescreen movies, including Paramount Pictures with VistaVision. What is VistaVision, you ask? Well, it takes a bit of explaining, so if you can, please join us as we look into the origins of VistaVision, what it was like, and why it still matters today.Continue reading What is VistaVision — A History of Widescreen in Hollywood
